Applying lettering ideas to paper and social media is fun, sure. But I like to mix it up every once in a while. Now if I can just find an F1 car…
This hand lettered quote marked the beginning of a personal marketing campaign. Buttons were created and mailed to various independent business contacts and creative directors.
I’m still meditating on it.
Hand lettered headline for Harvard-Westlake alumni magazine. The article covers the unruly nature of Bitcoin and the new world of blockchain technology.
Check out the additional comps presented to the client below. I ended up liking all three options.
Creative Director: Agnes Pierscieniak
Content Director: Elizabeth Hurchalla
Director of Communications: Ari Engelberg
I love the look and serendipity of misaligned offset printing. Combining type styles, graphic elements, and vintage effects gets me all warm inside.
Grief Biscuit is not your average greeting card company.
“Just like biscuits, grief has a lot of layers. We focus on those speechless, elephant-in-the-room moments and do so with creativity, passion and a community of grievers who lend their experience to take the awkward out of awkward moments.
Grief Biscuit is a project designed to bring some light to the darkness, process to the sorrow, and community to the solitude.”
I couldn’t be more honored to contribute to such a compassionate cause.
Please visit Grief Biscuit often.
Ashley Landrum is an LA-based artist who designs lighting fixtures. Ashley contacted me to create an identity that would reflect her meticulous and sculptural aesthetic.
Hand lettered print.
I lean towards the bold and scrappy.
Inspired by the midterms, and my dormant copy of After Effects, I decided to activate my message.
When X-MEN logotype inspiration strikes a bullied red-nosed reindeer.
My second promo mailer for 2018 - a newspaper highlighting some fresh new work, messaging, and a quick portfolio review.
This bottle of ZEPHYR Coastal Air is a self-initiated packaging project that allowed me to explore new mediums for applying hand lettered type.
When you’re inspired by classic horror films and comic book type.
While working with the ABEO shoe brand, I was tasked by the Product Development team to design a logotype for one of their new performance technologies, a tread application called Ground Control.
This is a manipulation of a pre-existing typeface called Balboa.
Creative Director: Ryan Powell
Product Developer: Michael Craven
Stickers I created for mail orders and general good will.
My affinity for Sci-fi and all things Star Wars led me to create the apparel brand, Loyal Mutant.
This was a quick sketch for a Valentine’s Day Instagram post, but the message stuck with me.
Hand lettered mini print.
While working with the branding team at TROIKA, I contributed to the redesign of the Turner Broadcasting System identity. The goal was to take inspiration from the original logotype and revitalize the iconic mark to take the media company well into the future.
Creative Directors: Reid Thompson & Gil Haslam
Art Director: Camile Chu.
A new look for Los Angeles.
Working under the creative eye of designer Edoardo Chavarin, I was fortunate enough to work with a number of his amazing clients, including the Coachella music festival.
These were a few logo designs for the festival’s record shop.
Creative Director: Edoardo Chavarin
Many of my clients are fellow creatives hailing from either the film or music business, which helps reinforce my desire to treat those I work with as collaborators instead of customers.
FOXTWO (fighter pilot code for a heat-seeking missile) is a company run by a Hollywood camera technician who requested an identity that reflected military strength and confidence.
Below are logo alternatives and a simple Style Guide.
When music and caffeine collide.
Custom logotype solutions for the alternative rock band, Kid Savant.
Type selection and layout for the band, Distant Correspondent, and their self-titled vinyl release.
Album art created by Sarah Pedry Obuchowski.